#Repeaters
Josh Groban‘s latest release, ‘Harmony’, pulls us into the light with heartfelt covers, notable duets, and vulnerable originals.
The euphony of First Aid Kit’s cover of Ted Gärdestad’s “Come Give Me Love” will swoon the poison out of these stressful days.
Swimming in a marinade of their signature rootsie recipe, Blitzen Trapper’s ‘Holy Smokes Future Jokes’ explores the afterlife and beyond.
Coinciding with the release of his latest album ‘HAVE YOU LOST YOUR MIND YET?’, Fantastic Negrito explains how losing your mind is the best way to reclaim it and how music can win the war against hat
A deep diving conversation with Panes about his latest EP Pacific. A collection of folksie goodness that both acknowledges the low points of today and the ever present hope filled tomorrow.
Israeli duo Lola Marsh have successfully turned heartbreak into their dynamic, groovy and heartfelt album, ‘Someday Tomorrow Maybe’.
Delta Rae’s Ian Hölljes speaks to Atwood Magazine about the genesis of the band’s euphoric euphony, the freedom of fan support, and their third album, ‘The Light‘
Twelve of Tom Waits’ iconic pieces delivered through a bevy of unique female voices lays a different filter over the already beautiful scenery captured by Waits’ musical travelogue of life.
Miles Mosley’s “BROTHER” gives the powerful feeling of being backed by an intrepid lust-for-life army. It’s the hippest square-meal of a song
Barns Courtney discusses his dynamic new album ‘404,’ first love, what it takes to be an artist, and much more in our dynamic interview!
ThebandIvory’s “After It’s Said and Done” is filled with the kind of euphonious epiphany that might just change your life.
Between the positively down to earth yet inspirational lyrics and its warm soulful musicality, Black Pumas’ self-titled debut album is sweet, salty, rich and smooth all in the same box.
Opeongo’s, “Less of Me,” is a journey through the mind of an uprooted empath as he howls, existentially along his way.
Sister trio Joseph discuss “Fighter,” the first release off their upcoming sophomore album ‘Good Luck, Kid’ – a high octane take-charge anthem that steadies their folksie harmonic flavor and gives it an honest and loving upper-cut.
Lola Marsh’s video for “Echoes” lives out a popular bookish fantasy bound by the sounds of surf-tango noir.
Matthew Frederick’s “Tell Me” is an honest and perfectly imperfect plea for forgiveness set to a rootsy, warm, classic Cymrucana backdrop.
The footloose and fancy freestyle of Tom Misch’s musicality coupled with Michael Kiwanuka’s soulful vocals and thoughtful lyrics offer a unique listening opportunity to music lovers everywhere.
When the heart is misled by the prospect of love and the head says, ‘I knew it wasn’t real,’ Sydney Franklin and Luke James Shaffer’s “Blood in the Water” lends a strong united voice to the ache.
Keith Johns leans into the tension by simultaneously releasing rock filled “Runaway” alongside feels-worthy “Hold on to Me,” in order to represent two sides of his musical identit
Mirroring the crests and troughs of life, Pelle Kuipers’ “My Darling” will charismatically whisk you away on a heartfelt and familiar journey.
D’Angelo’s “Unshaken” off the ‘Red Dead Redemption 2’ soundtrack puts the soul into your gaming console.
Atwood Magazine’s staff dive into a year in music with Spotify’s 2018 Wrapped, exploring our Top Songs of 2018 and Tastebreakers!
The thump-thump clap of a thinker’s heartbeat, reminding them that they still exist in the physical world.
Carmody’s smooth, sultry, and slow “Summer Rain” is driven by the beating heart of beautifully vulnerable love.
Melody Gardot’s ‘Sunset In The Blue’, a jazzy saunter to a bossa nova strum, is a multilingual journey through the heart’s wins and losses.